2008-09-29
Mike: Nibs, thank you for agreeing to doing this interveiw. You have been released in the UK, Australia, Japan, USA, France and Germany and a host of other countries. How has this international exposure to the music industry changed your approach to working in this industry?
Nibs: First of all, it has made me less complacent than if i was living in SA. The competion is stiff, everyone is trying to further their careers, which takes hard work and perserverence. I have learnt with gaining International exposure, that nothing just lands on your lap, you have to go out there and do it and nurture each baby step.
Mike: What are the main differences that you feel there are between the South African and International music scene?
Nibs: In Europe and Australia there is infrustructure that works and a level of professionalism which doesn't exist in SA. Things generally run clockwork and a level of excellence is the name of the game; from press, sound, publicity, marketing and performance.
Mike: You have worked on so many collaboration projects in the past, working with the likes of Mozambican, Gito Balo; drummer extraordinaire, Barry van Zyl, from Johnny Clegg's band; and recently with Peirs Faccini on your latest album, a bird ion the hand. How have these collaborations help in your walk to musical success?
Nibs: I just think one grows as a musician when one colloborates with amazing artists i have had the privilege of working with. The beauty of all these colloborations is that they were mutual and a great feeling to know that each one gained inspiration from the way i approach my music.
Mike Every musician spends a fair amount of time in studio recording new music for their fans. How would you describe your approach to recording an album. How has that approach changed as you have spent more time in the studio?
Nibs: I love the studio and i feel really at home now that i have found a recording studio (Sesalos) which has become a second home to me. Working with Brent Quinton is like being in a comfortable easy chair, he knows what i'm thinking musically, adds to it and has a valuable pair of ears to give you options and fresh ways to sculptor your music. I prefer the organic 'live' approach to recording, where the synergy of all the instruments playing together, belong to the same space and time, breath in unison and has a honest ambience about it.
Mike: I personally can testify to your very intense touring schedule. Every time i see you, you are either just back from a tour or leaving for one the next week. Why is touring so important and how have you used tours to promote yourself in the past?
Nibs: Like a pilgrim, i have to take the message of my music to the people. I have learnt not to rely on the radio for bringing an audience to me. I almost feel like a preacher up there, who has a responsibility and a purpose like a missionary to send a positive message to the ears who come to hear me in the global village.
Mike: The music industry is changing very quickly at the moment with new trends arising in music distribution (internet etc). What are your thoughts regarding the important things that a musician or band needs to break through in the music industry?
Nibs: As i mentioned i am a 'live' musician, so regardless of all these changing trends, the 'live' arena is opening up, where audiences want to experience the real deal. I think it is far more rewarding and everlasting for an audience to discover you first hand at the gig, buy your album, take you home and remember you. With that formula, you hopefully become a precious memory, one can't dispose of.
Mike: In your words, What makes a great Record Label?
Nibs: A label which believes in you, nutures you, believes in you, trusts you and have vision for you as an artist. A label who can also forecast your growth and see you as an asset and as an artist with longevity.
Mike: Nibs, thanks again for you time! We wish you well with your new album. I have heard a few pieces of it and it sounds great. Good Luck!!
Youtube Video of Nibs in studio at Sesalos!!
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